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Bibliography

1 Leave a comment on paragraph 1 0 Introduction

2 Leave a comment on paragraph 2 0 Abel, Richard, and Rick Altman. 2001. The Sounds of Early Cinema. Bloomington: Indiana University Press.

3 Leave a comment on paragraph 3 0 Alford, Robert. 2015. “Supernatural Speech: Silent Cinema’s Stake in Representing the Impossible.” In Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era, edited by Murray Leeder, 77-94. New York: Bloomsbury Academic.

4 Leave a comment on paragraph 4 0 Altman, Rick. 2004. Silent Film Sound. New York: Columbia University Press.

5 Leave a comment on paragraph 5 0 Anon. “Chat Among Publishers.” 1921. Music Trades 62 (10):39.

6 Leave a comment on paragraph 6 0 Anon. The Churchman. 1909.

7 Leave a comment on paragraph 7 0 Anon. “Edison Issues Music Cues.” 1913. Motography 10 (8):291.

8 Leave a comment on paragraph 8 0 Anon. Medium and Daybreak: A Weekly Journal Devoted to the History, Phenomena, Philosophy and Teachings of Spiritualism. 1881.

9 Leave a comment on paragraph 9 0 Anon. “Mutual to Provide Music Cue Service with Features.” 1917. Motion Picture News 15 (12):1847.

10 Leave a comment on paragraph 10 0 Baer, Hans A., and Merrill Singer. 2002. African American Religion: Varieties of Protest and Accommodation. Knoxville: Univ. of Tennessee Press.

11 Leave a comment on paragraph 11 0 Buse, Peter, and Andrew Stott. 1999. Ghosts Deconstruction, Psychoanalysis, History. New York: St. Martin’s Press.

12 Leave a comment on paragraph 12 0 Chapin, D. 2000. “The Fox Sisters and the Performance of Mystery.” New York History 81 (April):156–88.

13 Leave a comment on paragraph 13 0 Clark, Emily Suzanne. 2016. A Luminous Brotherhood: Afro-Creole Spiritualism in Nineteenth-Century New Orleans. Chapel Hill: University of North Carolina Press.

14 Leave a comment on paragraph 14 0 Connor, Steven. 1999. “The Machine in the Ghost: Spiritualism, Technology and the ‘Direct Voice.’” In Ghosts: Deconstruction, Psychoanalysis, History, edited by Peter Buse and Andrew Stott, 203-225. New York: St. Martin’s Press.

15 Leave a comment on paragraph 15 0 Cruea, Susan M. 2005. “Changing Ideals of Womanhood during the Nineteenth-Century Woman Movement.” ATQ 19 (3): 187.

16 Leave a comment on paragraph 16 0 Desmet, Christy, and Anne Williams. 2009. “Introduction.” In Shakespearean Gothic, edited by Christy Desmet and Anne Williams, 1-12. Cardiff: University of Wales Press.

17 Leave a comment on paragraph 17 0 Dienstfrey, Eric. 2014. “Synch Holes and Patchwork in Early Feature-Film Scores.” Music and the Moving Image 7 (1):40–53.

18 Leave a comment on paragraph 18 0 Dubois, W. E. B., ed. 1911, 1914. “The Crisis.”

19 Leave a comment on paragraph 19 0 Gaines, Kevin K. 2012. Uplifting the Race: Black Leadership, Politics, and Culture in the Twentieth Century. Chapel Hill: UNC Press Books.

20 Leave a comment on paragraph 20 0 Gutierrez, Cathy. 2009. Plato’s Ghost: Spiritualism in the American Renaissance. New York: Oxford University Press.

21 Leave a comment on paragraph 21 0 Hill, Jr., Walter B. 2016. “Institutions of Memory and the Documentation of African Americans in Federal Records.” National Archives. August 15, 2016. https://www.archives.gov/publications/prologue/1997/summer/institutions-of-memory.html.

22 Leave a comment on paragraph 22 0 Holloway, Julian. 2006. “Enchanted Spaces: The Séance, Affect, and Geographies of Religion.” Annals of the Association of American Geographers 96 (1):182–87.

23 Leave a comment on paragraph 23 0 Hubbert, Julie. 2011. Celluloid Symphonies Texts and Contexts in Film Music History. Berkeley, Calif.: University of California Press.

24 Leave a comment on paragraph 24 0 Leeder, Murray, ed. 2015. Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. New York: Bloomsbury Academic.

25 Leave a comment on paragraph 25 0 Leonard, Kendra Preston. 2016. Music for Silent Film: A Guide to North American Resources. Middleton: A-R Editions, Inc.

26 Leave a comment on paragraph 26 0 ———. 2018. “Women at the Pedals: Female Cinema Musicians during the Great War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks, Christina Bashford, and Gayle Magee, tbd. Urbana, Ill.: University of Illinois Press.

27 Leave a comment on paragraph 27 0 Marks, Martin Miller. 1997. Music and the Silent Film: Contexts and Case Studies, 1895-1924. New York: Oxford University Press.

28 Leave a comment on paragraph 28 0 Merck, Mandy. 1999. “The Medium of Exchange.” In Ghosts: Deconstruction, Psychoanalysis, History, edited by Peter Buse and Andrew Stott, 163-178. New York: St. Martin’s Press.

29 Leave a comment on paragraph 29 0 Parkin-Gournelas, Ruth. 1999. “Anachrony and Anatopia: Spectres of Marx, Derrida and Gothic Fiction.” In Ghosts: Deconstruction, Psychoanalysis, History, edited by Peter Buse and Andrew Stott, 127-143. Basingstoke: Palgrave Macmillan.

30 Leave a comment on paragraph 30 0 Pérez, Elizabeth. 2011. “Spiritist Mediumship as Historical Mediation: African-American Pasts, Black Ancestral Presence, and Afro-Cuban Religions.” Journal of Religion in Africa 41 (4):330–65. https://doi.org/10.1163/157006611X604760.

31 Leave a comment on paragraph 31 0 Peyton, Dave. 1927. “The Musical Bunch: How to Play Picture Music.” The Chicago Defender (National Edition) (1921-1967); Chicago, Ill., August 13, 1927, Movie and Stage Department.

32 Leave a comment on paragraph 32 0 Purinton, Marjean, and Marliss C. Desens. 2009. “‘Shakespearean Shadows’ Parodic Haunting of Thomas Love Peacock’s Nightmare Abbey and Jane Austen’s Northanger Abbey.” In Shakespearean Gothic, edited by Christy Desmet and Anne Williams, 87-110. Cardiff: University of Wales Press.

33 Leave a comment on paragraph 33 0 Rapee, Erno. 1970. Motion Picture Moods, for Pianists and Organists; [a Rapid-Reference Collection of Selected Pieces, Adapted to 52 Moods and Situations.]. New York: G. Schirmer.

34 Leave a comment on paragraph 34 0 Reynolds, Simon. 2011. Retromania: Pop Culture’s Addiction to Its Own Past. 1st American ed. London ; [New York]: Faber & Faber.

35 Leave a comment on paragraph 35 0 Robertson, Beth A. 2016. Science of the Seance: Transnational Networks and Gendered Bodies in the Study of Psychic Phenomena, 1918-40. UBC Press.

36 Leave a comment on paragraph 36 0 Rotman, Brian. 2008. Becoming Beside Ourselves: The Alphabet, Ghosts, and Distributed Human Being. Duke University Press.

37 Leave a comment on paragraph 37 0 Shryock, Henry S., and Jacob S. Siegel. 1980. The Methods and Materials of Demography. U.S. Department of Commerce, Bureau of the Census.

38 Leave a comment on paragraph 38 0 Simon, Scott. 2006. “Making the Music for Silent Movies.” NPR.Org. July 15, 2006. http://www.npr.org/templates/story/story.php?storyId=5559593.

39 Leave a comment on paragraph 39 0 Sipos, Thomas M. 2010. Horror Film Aesthetics: Creating the Visual Language of Fear. Jefferson, N.C: McFarland.

40 Leave a comment on paragraph 40 0 Soister, John T., Henry Nicolella, Steve Joyce, and Harry Long. 2012. American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929. Jefferson, N.C: McFarland.

41 Leave a comment on paragraph 41 0 Warner, Marina. 2008. Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century. Oxford : Oxford University Press.

42 Leave a comment on paragraph 42 0 Chapter 1: Mediums and Musicians

43 Leave a comment on paragraph 43 0 Anon. 1915. Secrets of Clairvoyance: How to Become an Operator. I. & M. Ottenheimer.

44 Leave a comment on paragraph 44 0 Bailey, Candace. 2019. Women, Music, and the Performance of Gentility in the Mid-Nineteenth Century South. Urbana: University of Illinois Press.

45 Leave a comment on paragraph 45 0 Bomberger, E. Douglas. 2004. An Index to Music Published in the Étude Magazine, 1883-1957. Music Library Association Index and Bibliography Series 31. Lanham, Md.: Scarecrow Press; Music Library Association.

46 Leave a comment on paragraph 46 0 Bowers, Jane M., and Judith Tick. 1986. Women Making Music: The Western Art Tradition, 1150-1950. Urbana: University of Illinois Press.

47 Leave a comment on paragraph 47 0 Carrington, Hereward. 1920. The Physical Phenomena of Spiritualism: Being a Brief Account of the Most Important Historical Phenomena, with a Criticism of Their Evidential Value. American Universities Publishing Company.

48 Leave a comment on paragraph 48 0 Clark, Uriah. 1863. Plain Guide to Spiritualism: A Handbook for Skeptics, Inquirers, Clergymen, Believers, Lecturers … William White & Company.

49 Leave a comment on paragraph 49 0 Farrington, Elijah, Charles F. Pidgeon, Harry Price, Eric John Dingwall, and A. Medium. 1922. Revelations of a Spirit Medium; Facsimile Edition, with Notes, Bibliography, Glossary and Index. London : K. Paul, Trench, Trubner & co., ltd.; New York, E. P. Dutton & co.

50 Leave a comment on paragraph 50 0 Gutierrez, Cathy. 2009. Plato’s Ghost: Spiritualism in the American Renaissance. Oxford: Oxford University Press.

51 Leave a comment on paragraph 51 0 Holloway, Julian. 2006. “Enchanted Spaces: The Séance, Affect, and Geographies of Religion.” Annals of the Association of American Geographers 96 (1):182–87.

52 Leave a comment on paragraph 52 0 Hubbert, Julie. 2011. Celluloid Symphonies Texts and Contexts in Film Music History. Berkeley, Calif.: University of California Press.

53 Leave a comment on paragraph 53 0 Leonard, Kendra Preston. 2018a. “Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908-1927.” In Music and Sound in Silent Cinema: From the Nickelodeon to The Artist, edited by Ruth Barton and Simon Trezise, tbd. London: Routledge.

54 Leave a comment on paragraph 54 0 ———. 2018b. “Women at the Pedals: Female Cinema Musicians during the Great War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks, Christina Bashford, and Gayle Magee, tbd. Urbana, Ill.: University of Illinois Press.

55 Leave a comment on paragraph 55 0 Macleod, Beth Abelson. 2015. Fannie Bloomfield-Zeisler: The Life and Times of a Piano Virtuoso. Music in American Life. Urbana, Illinois: University of Illinois Press.

56 Leave a comment on paragraph 56 0 McGarry, Molly. 2008. Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America. Berkeley: University of California Press.

57 Leave a comment on paragraph 57 0 Meyer-Frazier, Petra. 2006. “Music, Novels, and Women: Nineteenth-Century Prescriptions for an Ideal Life.” Women and Music 10:45–59.

58 Leave a comment on paragraph 58 0 Moore, R. Laurence. 1975. “The Spiritualist Medium: A Study of Female Professionalism in Victorian America.” American Quarterly 27 (2):200–221. https://doi.org/10.2307/2712342.

59 Leave a comment on paragraph 59 0 Motion Picture News. 1913. “Belasco Sees ‘the Good Little Devil’ Film,” December 13, 1913.

60 Leave a comment on paragraph 60 0 ———. 1914a. “Why Exhibitors Fail,” January 10, 1914.

61 Leave a comment on paragraph 61 0 ———. 1914b. “His Three Rules,” March 28, 1914.

62 Leave a comment on paragraph 62 0 “Music for the Picture.” 1918. Moving Picture World 37 (August):1120–21.

63 Leave a comment on paragraph 63 0 Natale, Simone. 2016. Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture. University Park, Pennsylvania: The Pennsylvania State University Press.

64 Leave a comment on paragraph 64 0 The American Organist Vol. 1. 1918. American Guild of Organists (New York).

65 Leave a comment on paragraph 65 0 The American Organist Vol. 2. 1919. American Guild of Organists (New York).

66 Leave a comment on paragraph 66 0 The American Organist Vol. 3. 1920. American Guild of Organists (New York).

67 Leave a comment on paragraph 67 0 The American Organist Vol. 5. 1922. American Guild of Organists (New York).

68 Leave a comment on paragraph 68 0 The American Organist Vol. 8. 1925. American Guild of Organists (New York).

69 Leave a comment on paragraph 69 0 The American Organist Vol. 9. 1926. American Guild of Organists (New York).

70 Leave a comment on paragraph 70 0 The American Organist Vol. 10. 1927. American Guild of Organists (New York).

71 Leave a comment on paragraph 71 0 The Film Daily. 1918a. “Abandon Orchestras,” August 28, 1918.

72 Leave a comment on paragraph 72 0 ———. 1918b. “Rapf’s All Women Feature,” September 16, 1918.

73 Leave a comment on paragraph 73 0 “Union Scale of Wages and Hours of Labor, Union Scale of Wages and Hours of Labor, May 15, 1921: Bulletin of the United States Bureau of Labor Statistics, No. 302 | Fraser | St. Louis Fed.” n.d. Accessed November 3, 2017.

74 Leave a comment on paragraph 74 0 Walkowitz, Judith R. 1988. “Science and the Seance: Transgressions of Gender and Genre in Late Victorian London.” Representations, no. 22:3–29. https://doi.org/10.2307/2928407.

75 Leave a comment on paragraph 75 0 Wallis, Edward Walter, and Minnie Harriet Wallis. 1976. A Guide to Mediumship and Psychical Unfoldment. Health Research Books.

76 Leave a comment on paragraph 76 0 Welter, Barbara. 1976. Dimity Convictions: The American Woman in the Nineteenth Century. Athens: Ohio University Press.

77 Leave a comment on paragraph 77 0  

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Source: https://hcommons.org/bibliography/

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